Feb 12, 2005

any excuse to bash Kinkade

Joe Carter has opened up The Gallery, an online exhibition of evangelical art. (His first artist: Frederick Hart.) He asks,
When did art stop being important to evangelical Christians?

How did we go from Rembrandt to Kincaid [sic]?

When did our appreciation of a work of art become based on how it matched the colors in our living room carpet?
The short answer is, whenever prudery became the principal Christian aesthetic. Ask yourself: would Thomas Kinkade ever paint a nude?

(As an aside, I briefly discuss the political ramifications of schmaltzy art here.)

[Update: Carter's on a kick.]

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